The camera also includes Sony's S-Cinetone profile for natural out of the camera colors.Īside from the sensor differences, the FX30 is essentially an FX3, with the exact same body with the threaded accessory mounts and control layout that is optimized for video recording, although you can still capture stills if necessary. #SONY FULL FRAME CAMERAS ISO#Like other Cinema Line cameras, the FX30 features Log shooting modes by enabling Cine EI, Cine EI Quick, and Flexible ISO modes for recording in S-Log3. Videos can be recorded in 10-bit 4:2:2 in H.265 or H.264, with RAW output available through HDMI to an external Atmos Ninja V+ recorder. It can also record 4K in 120p but with a 1.62x crop. The camera can shoot 4K video using a supersampled version of the 6K sensor in 24p, 30p, and 60p. The sensor has a dual base ISO of 8 and 14+ stops of dynamic range. The FX30 features a new back-illuminated 20.1 megapixel APS-C EXMOR R CMOS sensor in the popular Super 35 format. The FX30 takes the existing FX3 camera and swaps the full-frame sensor with a smaller APS-C version. The Sony FX30 is available to pre-order now for $1,798 and is expected to start shipping in late October.Sony today announced the cheapest member of its FX Cinema Line of cameras. I can see this one becoming quite popular. Given that it’s less than half the cost of the FX3 and you’re not forced to pay for an XLR handle you likely don’t anyway, this opens up Sony’s cinema ecosystem to a lot more potential users. So, while there are a couple of slight compromises as compared to the FX3, it looks like it should satisfy the needs of many who want to shoot a camera like the FX3 on a lower budget. For storage, you’ve got the now standard dual format dual card slots which are both capable of accepting either a UHS-II SD card or a CFexpress Type A card, up to two cards total in use simultaneously. The multi-interface shoe also remains on top of the camera, allowing you to use it with microphones such as the Sony ECM-B1M on-camera shotgun mic. Without the handle, though, you do still get the usual 3.5mm microphone input jack as well as the 3.5mm headphone output jack. B&H does list a bundle containing both the camera and the handle together, though for $2,198. It is compatible, although it’s available as an optional extra on its own for which a price doesn’t appear to have been announced quite yet. The FX30 does not include the XLR-H1 handle that comes supplied with the sony FX3. Well aside from the size of the sensor and the not insignificant crop factor when shooting 120fps, part of the price is down to the included accessories. With as many similarities between the cameras as there are, you might be wondering why there’s such a massive price difference between the two. It even includes something that the FX3 does not, and that’s Sony’s recently released focus breathing compensation system, introduced with the Sony A7 IV. Naturally, it also sees in-body image stabilisation and active cooling. The fast hybrid AF is available in all modes, even shooting at 120fps. It has dual 800/2500 ISO with a range of 100-32,000, which isn’t quite as wide as the FX3’s 80-102,400 but is still quite respectable. Like the FX3, the FX30 includes LUT support (including custom ones) and you get all of the usual HDR-HLG, S Cinetone and Sony S-Log 3 gamma curves as well as HEIF, JPG and 14-Bit raw stills. You do get the full use of the sensor when shooting at up to 60fps, though. This makes the capture area even smaller than Micro Four Thirds. When shooting 4K at 120fps, there’s a 1.6x crop of the APS-C area (which is already a 1.5x crop) resulting in a 2.4x crop when compared to full-frame. Well, it is unless you want to shoot 120fps. The 4K video is created using oversampled 6K video for lower noise levels and improved detail. Cropped down to 16:9 for video, it’s 20.1-megapixels. That 26.1-megapixels is also the camera’s 3:2 stills resolution. It shoots 4K UHD at up to 120 frames per second, offers 10-Bit 4:2:2 AXVC and 16-Bit RAW output with 14+ stops of dynamic range. A shiny new 26.1-megapixel Backside Illuminated APS-C sensor, to be specific. In Sony’s announcement, they say the Sony FX30 is the result of listening to creators needs, and those needs seem to be an APS-C/Super 35mm format cinema camera in an FX3 style body.
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